The deluge of images on social-media platforms allows us to live vicariously through others’ lenses. But how might we make sense of a time when our first-hand encounters are collated with, or even replaced by, scrolls upon scrolls of second- and third-hand memories? Compressing fragments of our existences, Taiwanese artist Su Yu-Xin’s paintings probe our perceptions of temporality and our surroundings.
November 7, 2022